Flowers For The Dead - Ladybug

Rising DC trio Flowers For The Dead share their new single “Ladybug,” their first new music since last summer’s First Place EP. The ruminative, gauzy, and shoegaze-tinged song marks a sea change for the band, following the addition of new bassist Naomi Seat and on the heels of substantial touring with No Joy and then Die Spitz last fall. “After a few months of continuous writer's block and the departure of our former bassist, we really felt a huge energy shift within our own personal lives that I think led to the writing and formation of ‘Ladybug,’” explains singer/guitarist Jessie Szegö of the song. “I think you can hear that energy shift in the music; new beginnings, a fresh start, and the beginning of a huge creative spark for us. We had started writing with our friend Naomi, who had recently filled in for us on bass last fall on our tour opening for Die Spitz. The synergy had already been established on the road, and translated really well into our writing process.” “Ladybug” is out now alongside a video Szegö co-directed with Lucien Anderson.

The Dreggs - Golden Lights

Hailing from Australia’s thriving indie-folk scene, The Dreggs - Paddy Macrae and Zane Harris - have rapidly become one of the country’s most exciting Australian live acts. Most recently, they released their highly anticipated sophomore album, The Art of Uncommon Practice, which earned praise from Triple J as the Feature Album of the Week, further solidifying their reputation as one of Australia’s most exciting musical exports. As they continue to make waves internationally, their momentum shows no signs of slowing.

Liam Horne - Everywhere

Los Angeles-based singer-songwriter Liam Horne unveils the official music video for his latest single, "Everywhere." The track captures the electricity of being completely in sync with someone else. Fueled by infectious melodies, playful lyricism, and a sense of spontaneity, “Everywhere” blends polished modern pop with warm live instrumentation, creating a song that feels like a celebration of carefree connection. “The song started from this image of being so connected to someone that it doesn’t matter where you are — a street, a room, a crowd,” Horne shares. “The world disappears and it becomes your own rhythm.”

Ruthie Foster - Thank You

Austin-based GRAMMY Award-winning artist Ruthie Foster announced the forthcoming release of her new studio album, Just Say Yes. Slated for release on August 28 via Sun Records, the 10-track LP is a fearless, soul-stirring statement from one of music’s most vital voices, celebrating joy, overcoming struggle, connection, and self-discovery. “Thank You,” which blends rock, blues, and gospel with high-octane riffs and rich harmonies. A fervent meditation on the feeling of imposter syndrome, the soulful singer reflects on being questioned of her authenticity as a blues performer. “There’s a front door, but there’s also a window and back door. There’s ways to get in,” Foster says. “I never put any kind of constraints on myself. I’m showing up with all of this.” Her boldest chapter yet, Just Say Yes captures the full scope of Foster’s journey. “I’m amazed at how I got to this place,” Foster says. Just last year, the blues legend took home her first-ever GRAMMY Award, winning Best Contemporary Blues Album for her album Mileage. The award was a long time coming for the star, who has been hustling to make a life as an artist possible for over three decades.

RYMAN - Undo

Nashville-born singer-songwriter RYMAN announced the release of his debut record Growing Pains coming July 31, 2026 via Mom & Pop. The indie-folk record captures RYMAN’s real-life experiences and melds the heart-on-the-sleeve, classic storytelling you find in the lyricism of country legends with the infectious melodies of indie pop. Alongside the announcement, RYMAN has released a brand new single “Undo,” where RYMAN is found reckoning with the passage of time, exploring lyrically the growing pains of figuring out adult life and reminiscing on when things seemed simpler. The track showcases RYMAN’s breezy vocals over a bouncy, carefree and infectious melody while a pedal steel picks at the heart strings with twangy fills. Of the track, RYMAN shared, “‘Undo’ came out of a season where everything in my life felt like it was changing really quickly. Even when the change is exciting and necessary, it can also leave you feeling uncertainty and the growing pains that come along with it. This song explores that in-between feeling of wanting to hold onto certain moments in life while also knowing you’re meant to keep moving forward. There’s definitely nostalgia in it, but there’s also a lot of hope.”

Afghan Whigs - Jungle Roux

The Afghan Whigs announce the release of their eagerly anticipated new album, Soft Control, coming August 21, 2026. The new album is testament to the old David Bowie quote, where he describes aging as “an extraordinary process where you become the person you always should have been.” By now, the volatile years of band leader Greg Dulli’s youth have been substituted with a wry and self-aware satori. The edge and sensitive temperament remain but the unchecked infernos of ego and rage no longer threaten personal immolation.  And Dulli’s vocals are simultaneously the strongest and most delicate that they’ve ever been. “I've worked hard on my inner peace,” Dulli commented.  “I was an angry young man, and it fueled my art, ambition and my drive. I wouldn’t change anything because I can’t.  But as I got into photography and other art forms, I realized that I’m not in competition with anyone – including myself. Now, I know what I’m doing and there’s a quiet confidence that comes with being able to back it up.”

Diles que no me maten - Viene el Viento

The Mexico City-based band Diles que no me maten released the breezy and pensive “Viene el Viento,” their new and final single previewing their anticipated album Escrito en Agua due out on June 12th via Moonlight Activities. Arriving alongside a video directed by Edson Reyes and filmed in Super 8, the song–translated to “The Wind is Coming”–is about aging and death that's heartbreakingly tender but never overtly depressive. It was the first song Diles recorded for the album, and they approached it like a puzzle, aiming to present distinct moods musically and lyrically. "It's a song about growing old and bitter. Or, maybe how not to. Or, more about how in the end, it's also the beginning. The video is about the cotidianity of farmers in Jalisco, México, the family of Edson the director,” explains vocalist/saxophonist Jonás Derbez.