Shakey Graves - No Place To Be

A new music video is available for No Place To Be, a timeless folk track that delivers a wholehearted reflection on love and mortality, dedicated to Graves’ two-year-old daughter, Fondness, Etc. For his fifth record, a woozy work of avant-garde folk and trippy time travel, Graves returns to making music first for himself, now rebalanced through family and fatherhood. Fully embracing change, whether graceful or not, for us all it is an inevitability.

Niko Moon - Rich Man

Rather than measuring wealth in material terms, the song reflects Moon’s perspective on fulfillment - centering on family, love, and the life he’s built. As he sings about the richness found in connection and purpose, “Rich Man” underscores the new album Roots, central theme: redefining success through gratitude and lived experience. Catch the album live on his Back To My Roots tour this fall starting September 11th.

S. G. Goodman - (Re) Planting By The Signs

(Re) Planting by the Signs, a deluxe edition of her critically acclaimed album Planting by the Signs. The collection expands the original record with five additional tracks: a new intro based on Goodman’s live show, an intimate cover of the title track by Senora May and Tyler Childers, Dan Reeder’s whimsical take on “I’m in Love,” Goodman’s excellent cover of “Pepper” by the Butthole Surfers, and an electrifying new interpretation of “Heat Lightning.” A portion of the album’s proceeds will benefit Goodman’s local NPR station, WKMS in Murray, KY. Now on tour through July 24th, with festival dates following. Watch the visualizer for Senora May and Tyler Childers’ cover of “Planting By The Signs” HERE.

Barns Courtney - Hands

Live and Wired, arriving June 19th, was recorded across multiple tours and captures Barns Courtney exactly as fans know him best: loud, loose, emotional, and on the edge of complete collapse in the best possible way. The album showcases reimagined live versions of fan favorites alongside the communal energy that has become central to Courtney’s shows.  On “Hands,” Courtney leans fully into the song’s explosive intensity, delivering a performance that feels both feral and deeply cathartic, with the crowd roaring back every word. Catch him on tour May 26th through June 12th.

Michael Stolar - I Thought I Knew You

Michael Stolar's debut is messy, devastating, and exactly what indie pop-rock needs. 'What's Life Without a Little Heartbreak?' is the result of an insane breakup. It covers heartache, sadness, anger, bitterness, forgiveness, resentment, and love, in no particular order. Think Conan Gray meets Sombr with a 2000s pop-rock edge. Raw, authentic, and completely unfiltered. He doesn't take anything too seriously. Even heartbreak. Perfect for Indie Pop and Summer Drive playlists.

Clover Stieve - Big Top

After my parents’ deaths, I often felt like a spectacle, my grief on display. That feeling crystallized into circus imagery, something deeply rooted in my childhood. My dad loved the circus, freak shows, and the outcast energy they carried. He saw himself there, and he passed that world on to me. In "Big Top," I'm imagining myself in the center of the circus ring - performing through pain, balancing grief like an impossible act - while the crowd watches, wondering if I’ll survive it.

Zolita - Hell’s Belles

“Hell’s Belles” is a vibrant, playful, and deeply self-aware track that leans fully into Zolita’s identity as a storyteller unafraid of contradiction. "Written with my friend and artist Gatlin, this is the song that inspired the theme and sound of my next project," Zolita reveals. "It’s a sapphic take on the ultimate bro country song, 'Boys Round Here' and is an ode to the all the southern bad girls I’ve fallen for over the years," The “Hell’s Belles” music video, also out today, is a campy, sexy thriller following a detective who goes undercover at a girls’ reform camp turned lesbian cult, only to fall for its charismatic leader. “The ‘Hell’s Belles’ video was inspired by the six years I spent inside a kundalini yoga cult,” Zolita reveals. “It’s my way of processing the experience through humor, fantasy, and pop spectacle.” Alongside the official video, Zolita will also release a series of extended dialogue scenes and a mockumentary-style mini-series expanding on the cult’s world. 

Murex - Massacre

Swedish artist Murex releases her debut single, “Massacre.” Self-produced in Murex’s Stockholm studio, “Massacre” is a piece of ethereal, amorphous, avant-pop that thrashes and glimmers in equal measures. Simultaneously brutal and beautiful, the song depicts hunger and the act of dragging oneself into destruction. In her own work - deeply informed by storytelling and Nordic folklore - she resists the pressure to over‑define or over‑explain. It’s a protest, but also a tribute “to the countless versions of a person that exist all at once,” shifting the focus away from herself and her body as the face of the work.

River Shook - Country Angel

River Shook releases the latest single from their stunning self-titled debut album, out June 26th. In rebellious country rocker “Country Angel,” a narrator immerses herself in the feelings of young love and freedom, while her old-soul sensibility tugs gently with a reminder that this night, this feeling, this person, they’re all already slipping through her fingers. “You can’t tie a feeling down.” Shook’s haunting voice soars in the chorus, delivering twin doses of joy and sorrow. Catch the track live while they are on tour May 22nd through September 17th.

Intercontinen7al - Love is Everywhere

With our final album Volume 7, we feature our latest single "Love is Everywhere", described by The Big Takeover as "like a late-era Beatles piece, had they grown up playing on the Latin-folk scene". It is written, performed and produced by our bandmate Nereo Paulus from Buenos Aires, Argentina. Intercontinen7al has virtually recorded on all 7 continents using BandLab. Check out the music video HERE

Any Margret - In a Dream

Icelandic singer-songwriter Arny Margret today shared her new single “In a Dream,” a raw and intimate reflection that was written and recorded in a moment of solitude on a quiet New Year’s Eve, out now alongside a video. The song finds Margret breathing new life into her instinctive, diaristic songwriting with gentle, melancholic textures and spellbinding harmonica embellishments. True to form for Margret, the meaning behind “In a Dream” remains elusive, revealing itself slowly over time. “I never really know what a song is about when I’m writing it,” she says. “I just have a sentence and then it kind of goes from there. It’s whatever I’m thinking–like a diary–and then later I’m like, okay, that’s what it meant. ‘In a Dream’ captures a little moment from that night, and it will probably make more sense to me later. It’s actually the original demo take because I tried doing it again and it just didn’t feel right. It kind of captured the moment how it was supposed to be, so I built everything on top of that.”  Entirely self-produced and performed, “In a Dream” showcases Margret’s growing confidence as a multi-instrumentalist and producer, as she shapes a sonic world from the ground up.